Personal Statement

Sheila Crane has a long-standing interest in the history and theory of modern architecture and cities, particularly in Europe, North Africa, and the Mediterranean region. She is the author of Mediterranean Crossroads: Marseille and Modern Architecture, published by the University of Minnesota Press in 2011 with the support of a publication grant from the Graham Foundation for Advanced Studies in the Fine Arts. Her current research explores how urban landscapes in France and Algeria were transformed during the long struggle for independence and the on-going process of decolonization. Her publications have examined the dynamics of memory and forgetting in postwar and postcolonial contexts, new conceptions of historic preservation that emerged during the rebuilding of cities after World War II, the movements of architects and translations of built forms between Marseille and Algiers, and how everyday processes of occupying and appropriating space have shaped cities and their inhabitants. A recent essay, exploring work between Marseille and Algiers by the architects Le Corbusier, Fernand Pouillon, and Roland Simounet, appeared in Modern Architecture and the Mediterranean: Vernacular Dialogues and Contested Identities, edited by Jean-François Lejeune and Michelangelo Sabatino (Routledge, 2010). Crane has held fellowships at the Canadian Centre for Architecture in Montreal (2006), the Shelby Cullom Davis Center for Historical Studies at Princeton University (2004–2005), and the Camargo Foundation in Cassis, France (1998). She has also been a recipient of a Chateaubriand Fellowship from the Cultural Service of the Embassy of France and a Samuel H. Kress Travel Fellowship in the History of Art. Awarded a University Teaching Fellowship for the academic year 2008–2009, Crane regularly teaches the history of architecture and urbanism from the 15th century to the present as well as the history of modern architecture. Recent seminar offerings include Mediterranean Cities, Memory & Architecture, The Spaces of the Modern City, Transnational Modernisms, and 1968 – Architecture, Urban Space, and the Politics of Everyday Life. Prior to joining the faculty at UVa, Crane taught in the History of Art and Visual Culture Department at the University of California, Santa Cruz.