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volume one, dialect

Introduction

Sustaining Beauty: The Performance of Appearance

Elizabeth K. Meyer

Inhabiting Liminal Landscape
Robin Dripps and Lucia Phinney

Climate Rhythms
Anne Morris

Swann Park: Modular Participatory Ecologies
Alissa Ujie Diamond

Harvest the City
Grow D.C. Team

The Ethic of X-Change
Mark Buenavista, Chihiro Shinohara, Ngoc Tran

Agua
Shanti Fjord Levy and Elizabeth Hoogheem

Collective Landscape

Hope Dinsmore

From estudio teddy cruz: Outpost on the Political Equator
Andrea Dietz

Re-territorializing Place
Noah Bolton and Robert Couch

Mix-House
Karen Van Lengen, Ben Rubin, Joel Sanders

Agency and Abundance in the Hedgerow Landscape
Molly Phemister

Rooting Landscape Urbanism
Shanti Fjord Levy

Why Gardens?
Jessica Calder

Intelligently Integrated Transport
Bob Batz , Javier Del Castillo, Alec Gosse, Julie Ulrich

Planes, Trains and Rain / Double Crossing
Tom Hogge and Serena Nelson / Peter Waldman

The Dresser Trunk Project
William Daryl Williams

Northeastern University Veterans Memorial
Marc Roehrle and Mo Zell

Addition
W.G. Clark and David Malda

THE CREMATORIUM & THE ROLE OF FUNERAL ARCHITECTURE
Sebastijan Jemec

 

The island of Sacca San Matteo is simultaneously a stage of contradictory uncertainty and constancy. On one hand it is a site of potential flooding and domestic/visitor misuse, and, on the other hand, a field used for recreation and waste disposal. This park proposal re-imagines Sacca San Matteo as an exchange medium, operating between the scales of local Murano and the islands of the Venice Lagoon on an ecological, economic, and cultural level. The island is conceived as a constructed ground, organized along an open-ended series of operative ribbons that negotiate periodic flows, waste treatment, and human inhabitation. Some ribbons perform as living machines or a series of constructed wetlands that filter and remediate wastes produced by tourism and domestic use. Effluents from the wastes of tourists and local residents are unloaded onto the backdoor ( i.e. northeast end of the site) and are filtered and utilized for community agriculture distributed to the front door of the island (i.e. southern end). Prototypical growing barges that dock at the front door export agricultural products and species, potentially seeding and extending to other islands of the Venice Lagoon. Programs on the island shift and intersect the ribbons, taking into account varying degrees of necessity and ecological chance. Tourists and locals navigate between front door and back door, experiencing San Matteo’s cycles of waste to growth. “X-Change” takes a variable approach to the ground’s construction, allowing its ribbons to act as an armature for dynamic process and reciprocity between different pressures. Waste + food + People = X-Change

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