Cammy Brothers Publications
books
;) | Michelangelo, Drawing, and the Invention of Architecture Yale University Press, 2008  Introduction |
essays
;) | Architecture, Texts and Imitation in Late Fifteenth and Early Sixteenth-Century Rome in Architecture and Language ed. G. Clarke and P. Crossley , ed. Cambridge University Press, 2000 |
;) | Drawing Ancient Rome in the Letter to Leo X and in Sixteenth-Century Practice in Coming About...A Festschrift for John Shearman ed. L. R. Jones and L. C. Matthew , ed. Harvard University Art Museums, 2002 Drawing Ancient Rome |
Drawing in the Void: The Space between the Sketchbook and the Treatise
in Festschrift for Howard Burns
Maria Beltramini, ed.
2009, forthcoming
;) | Figura e architettura nei disegni di Michelangelo in Michelangelo e il Disegno di Architettura ed. Caroline Elam, ed. Marsilio, 2006 |
Michelangelo, Architecture, and the Stingray
in Subject as Aporia in Early Modern Art
Lorenzo Pericolo and Alexander Nagel, ed.
2009, forthcoming
;) | Reconstruction as Design: Giuliano da Sangallo and the Palazo di Mecenate on the Quirinal Hill in Annali di architettura 2002 Reconstruction as Design |
Review of Colin Rowe and Leon Satkowski, Italian Architecture of the 16th Century
in Renaissance Quarterly
2004, vol. 57
Review of David Rosand, Drawing Acts
in Oxford Art Journal
2005, vol. 28
Review of The Mediterranean in History and Rethinking the Mediterranean
in Annali di architettura
2005, vol. 17
Review
Seven catalogue entries on drawings by Michelangelo
in Michelangelo: Disegni di architettura
ed. Caroline Elam, ed.
Marsilio, 2006
The Laurentian Library: Affect, Music, and Architecture
in Das Auge der Architektur. Zur Frage der Bildlichkeit in der Baukuns
Matteo Burioni, Johannes Grave and Andreas Beyer, ed.
2009, forthcoming
The Renaissance Reception of the Alhambra: The Letters of Andrea Navagero and the Palace of Charles V
in Muqarnas 11
1994
The Renaissance Reception of the Alhambra
Three catalogue entries on drawings by Giuliano da Sangallo
in Palladio e la Villa
ed. Howard Burns, ed.
Vicenza, 2005